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Fluted Kiln Snow — Jingdezhen Hand-Carved Sprinkled Cobalt Stoneware Cup & Saucer Set
$38.50
Sale price
$38.50
Regular price
Crafted by veteran artisans in Jingdezhen — China’s 1,000-year-old porcelain capital — this cup and saucer set reinterprets the classic Chinese “sprinkled blue” glaze tradition through a rustic, folk-kiln lens, blending tactile craftsmanship with everyday functionality.
Each piece is wheel-thrown from premium stoneware clay, then hand-carved with crisp vertical fluting on the cup body and radiating ridges on the saucer. Rooted in ancient folk pottery wisdom, the ribbed texture improves grip, adds dimensional depth, and casts soft, shifting shadows under light. The set is finished with a warm earthy tea-brown base glaze, hand-dotted with cobalt pigment before high-temperature firing. As the glaze melts in the kiln, the cobalt blooms into irregular sapphire speckles scattered naturally across the surface — an effect known in China as “snowflake blue” for its resemblance to frost flecks on earthenware. No two pieces share the same speckle pattern, making every set entirely one-of-a-kind.
With a sturdy angular handle and a 280ml capacity, it is perfectly sized for pour-over coffee, black tea, matcha lattes, and slow afternoon brews. Food-safe, chip-resistant, and substantial in hand, it brings quiet wabi-sabi warmth and artisanal character to both daily use and curated table settings.
Sprinkled cobalt glaze — also known as “snowflake blue” or “blown blue” in the West — was first created in the imperial kilns of Jingdezhen during the Xuande reign of the Ming Dynasty, nearly 600 years ago. Artisans used bamboo tubes to blow fine cobalt powder onto wet glaze, creating a delicate pattern of blue flecks that looked like frozen snowflakes on porcelain. At the time, the technique was so labor-intensive and precise that it was reserved exclusively for the imperial court, rarely seen outside palace walls.
By the Kangxi era of the Qing Dynasty, the craft spread to folk kilns across Jingdezhen. Local artisans adapted the technique: they simplified the laborious blowing method, dappled cobalt by hand, and fired the glaze alongside everyday stoneware. The results were less polished than imperial wares — but they had a raw, lively charm. People called the folk version “fish-roe blue” for its soft, scattered spots. It was no longer a treasure for emperors. It became a quiet beauty for ordinary life.
This set pays tribute to that folk-kiln spirit. Our artisans carve every ridge by hand, then dot each piece with cobalt pigment one by one, trusting the kiln fire to finish the work. The fluted body honors the practical wisdom of old folk pottery: sturdy, easy to hold, and beautiful in its straightforward, unpretentious form. There are no perfect, uniform speckles here. Every blue fleck is shaped by heat, airflow, and chance — a small, unique signature of the fire.
This is not a decorative piece to be put on a shelf. It is made to be held, used, and loved daily. It is a piece of Chinese ceramic history, reimagined for your morning coffee and evening tea — a reminder that the most enduring beauty is often the kind that lives quietly in ordinary moments.